Movies: João César Monteiro

Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come toget...

“I think my film represents above all the proof to those who want to understand and accept it, that poetry can’t be filmed, that it is useless to try” - João César Monteiro...

Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black scre...

A satirical and delirious short which sums up the obsessions of João César Monteiro: film-making and… young women....

A story about doomed love between two people from different worlds and the impact in their lives....

Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in si...

By cross-editing footage of Portuguese workers protesting against NATO forces and various movies, Monteiro shows how one 'sword' can confront the army....

Fernanda, António and Quim are travelling by train to a provincial Portuguese industrial city. Fernanda, a teacher, agrees to replace a pregnant colleague. António is returning to the home he was forced to flee long ago, accused of setting fire to th...

The tribulations of two friends who, in despair, start begging from door-to-door, and are given a bundle including, literally, a pair of deadman's shoes...

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Never-before-seen footage of Monteiro’s first film tests for an unfinished project with Maria Cabral, a legendary actress from the Portuguese Cinema Novo movement and a perfect match for Monteiro’s French New Wave–inspired footage. – Museum of Modern...

The young girl, Antónia Margarida Castelo Branco, is handed over by her mother to Brás Telles de Meneses because of the obscure interests between rural aristocratic families in the North. Brás is a ruined man, a bohemian with a reputation for violenc...