Movies: Maria Klonaris
- 1984

Portraits / Mirrors (1984)
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A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann Beauvais, Jean-Michel Bouhours, Gérard Courant, Berndt Deprez, Bertrand Gadenne, Mythia Kolésar, Christian Lebrat,...
![Portraits / Mirrors]()
- 1983

Orlando - Hermaphrodite II (1983)
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An echoing, nocturnal, elliptical text. Female voices speak it. Fragments of music punctuate and suspend the images. The text says the transformation of the hero into a woman during his sleep. Games of inverted masks, transvestites, transparency of ...
![Orlando - Hermaphrodite II]()
- 1978

Soma (1978)
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![Soma]()
- 2012

La Torture (2012)
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In 1976, Maria Klonaris and Katerina Thomadaki direct with the Collectif 010 in La Cartoucherie in Vincennes a 48-hour action, Torture, which is recorded on tape by Jean Roualdès. In 2012, after the digitization of the original video tapes by the Bib...
![La Torture]()
- 2013

XYXX Mosaic Identity (2013)
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Video of the installation "XYXX Mosaic Identity" (Offenes Kulturhaus - Linz, 1994)....
![XYXX Mosaic Identity]()
- 1985

Gardens of the Sleeping Hermaphrodite (1985)
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This film is made from the soundtrack of the multimedia installation/environment Mystère I: Sleeping Hermaphrodite that we created for the XII Biennale de Paris in 1982. The idea of creating a second work, purely cinematographic this time - here, f...
![Gardens of the Sleeping Hermaphrodite]()
- 1979

Unheimlich I: Secret Dialogue (1979)
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The film takes the Freudian concept of the uncanny generated by an inexplicable strangeness to expose the reappearance of the repressed feminine unconscious through splitting, doubling and mirroring the cinematic image to question the boundaries of t...
![Unheimlich I: Secret Dialogue]()
- 1982

Selva. A Portrait of Parvaneh Navaï (1982)
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Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera ampli...
![Selva. A Portrait of Parvaneh Navaï]()
- 1983

Mystère I: Hermaphrodite endormi/e (1983)
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![Mystère I: Hermaphrodite endormi/e]()
- 2001

Pulsar (2001)
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"Pulsar" belongs to "The Angel Cycle" ("Le Cycle de l´Ange"). In this cycle of works we create bonds between the human body and astronomical bodies. Maria Klonaris´ improvised performance is a negative dance which lies between pleasure and catastroph...
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- 1976

Double Labyrinthe (1976)
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With this film-manifesto, the two artists invent what they called the Cinéma corporel (Cinema of the Body), they present themselves as a "double auteur femme" and they lay the foundations of the radical critical and esthetical positions of their work...
![Double Labyrinthe]()
- 1992

The Amazonian Angel (1992)
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This filmic portrait is born of a double movement: the meeting of Lena Vandrey with our cinematographic universe, our meeting with her pictorial world, her space and her collection of processional figures and articulated dolls. Crossings of imaginati...
![The Amazonian Angel]()
- 2016

Smoking (2016)
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SMOKING is a brief portrait of Maria Klonaris composed of seven shots. Katerina Thomadaki completed it in 2016, two years after Maria Klonaris' passing, from rushes shot in 1975 at the time of the filming of DOUBLE LABYRINTHE. The Greek word that app...
![Smoking]()
- 1979

Dagmar et Eve. Un portrait de Dagmar Bürger et Eve Eiholzer (1979)
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![Dagmar et Eve. Un portrait de Dagmar Bürger et Eve Eiholzer]()
- 1982

Flash Passion (1982)
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Flash Passion is one of the very first films that the two artists made in Athens when they took up the super-8 camera and extended their theatre practice towards cinema. Here, Maria Klonaris looks at/films Katerina Thomadaki....
![Flash Passion]()
- 1980

Myrto (1980)
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![Myrto]()
- 1980

Unheimlich II: Astarti (1980)
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Astarti, the Greek name for Ishtar, is an archetype of a deep, nocturnal feminine that emerges from subterranean darkness. We experience an embodied cinematic experience realised through a sensuous aesthetic as we are invited to enter a strange and u...
![Unheimlich II: Astarti]()
- 1982

Myth-Historima (1982)
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- 1982

Sauro Bellini (1982)
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He tells me that his name is Sauro Bellini, a Bellini descendant, that he is twenty-two years old, that he studies maths, that he does not like to be photographed, much less to be filmed. He tells me that he has nothing to do with cinema, that he act...
![Sauro Bellini]()
- 1969

Thalassino (1969)
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![Thalassino]()


















