Movies: Ernest Gusella
- 1983

The Commission (1983)
The Commission01983HD
This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative strategies: In each of the eleven segments of this "electronic opera", different effects are used. Fascin...
![The Commission]()
- 1979

Iris (1979)
Iris01979HD
An example of Gusella's impressive switch edits; A disarming rhythm is produced....
![Iris]()
- 1978

Exquisite Corpse (1978)
Exquisite Corpse01978HD
The "exquisite corpse" named in the title of this piece refers to a favorite game of the Surrealists, played by passing a folded sheet of paper among a group; each person draws one section of a body on the folded segment without looking at the other ...
![Exquisite Corpse]()
- 1978

Arrows (1978)
Arrows01978HD
Paste yourself up to look like a Cubist painting, chant a rose is a rose is a rose through a synthesizer, and before you know it all your friends will begin to avoid you....
![Arrows]()
- 1981

Connecticut Papoose (1981)
Connecticut Papoose01981HD
CONNECTICUT PAPOOSE is conceived a surrealist tract, with references to Lautremont, Tristan Tzara, Andre Breton and to surrealist images of sleeping and dreaming. Throughout the tape, unrelated images and ideas are juxtaposed as they might be in a su...
![Connecticut Papoose]()
- 1974

Wolf-Zooming (1974)
Wolf-Zooming01974HD
Repeating, erratic zooms on Gusella's face....
![Wolf-Zooming]()
- 1974

Video-Taping (1974)
Video-Taping01974HD
Gusella's title creates a pun on the term video "tape" by using a split screen in which one half is the electronic negative of the other. Gusella set up a glass sheet and suspended it from light poles. The glass was covered with black or white tape. ...
![Video-Taping]()
- 1978

Vere D'he Go? (1978)
Vere D'he Go?01978HD
A playful reference to vertigo in the title Vere d’he Go Composition announces a more vigorous attempt at spatial disorientation using again the striped sticks and now vertical wipes....
![Vere D'he Go?]()
- 1983

Bending Diogenes (1983)
Bending Diogenes01983HD
Bending Diogenes is a lamentation on modern "siphilization," with its promises and dreams for a bigger and better life. It questions modern man's motives and conditions, while introducing the teachings of Diogenes, the founder of the Cynic School of ...
![Bending Diogenes]()
- 1974

Dude Defending A Stare-Case (1974)
Dude Defending A Stare-Case01974HD
A feedback homage to the works of Duchamp....
![Dude Defending A Stare-Case]()
- 1976

Nihon Kara Kita (1976)
Nihon Kara Kita01976HD
A sutra with a slant, with backing vocals by the Zen Tabernacle Choir. This tape depicts and describes how Japan economically bamboozled the United States in retaliation for dropping the A-Bomb. Very popular with all of my Japanese friends....
![Nihon Kara Kita]()
- 1984

What Under the Sun? (1984)
What Under the Sun?01984HD
What Under The Sun? is a private view of Mexico and it's history up to the present, loosely based on Bernal Diaz's account of Cortez's Conquest of the Aztecs. The work was initiated by a desire to apply electronic stream of consciousness techniques, ...
![What Under the Sun?]()
- 1978

No Commercial Potential (Collected Works 1974 - 1978) (1978)
No Commercial Potential (Collected Works 1974 - 1978)01978HD
No Commercial Potential is composed of 19 separate video performance works. Each piece utilizes some aspect of video processing; From the playful to the aggressive, Gusella's early works in the medium are notable. The sounds are both natural (zoom le...
![No Commercial Potential (Collected Works 1974 - 1978)]()
- 1974

Playing Catch and Playing Catch Again (1974)
Playing Catch and Playing Catch Again01974HD
Two early experiments from Ernest Gusella....
![Playing Catch and Playing Catch Again]()
- 1977

Facial Treatments #2 and #4 (1977)
Facial Treatments #2 and #401977HD
Video art by Ernest Gusella made between 1975 and 1980...
![Facial Treatments #2 and #4]()













